Juan Cabanilles (1644-1712) studied with Urban de Vargase and Jeronimo de la Torre, two organists at the Cathedral of Vienna.
In 1666 he was appointed as principal organist and remained in the position until his death. Cabanilles can be regarded as one of the most well known Valencian composers of music for the organ in the 17th century. He was ordained as a priest on 22 September 1668.
This is a very successful arrangement of one of his organ works and is suitable either for Wind band or Fanfare band.
Recording: (live) by Fanfare Brass-Aux-Saxes, Westerlo (B) – conducted by Jan van Hove.
Rubato was composed with the aim of creating a work which would bring a surprise to both musicians and audiences each time it was performed.
The musical term “rubato” or “tempo rubato” proved very suitable for this. The Italian term “tempo rubato” literally means stolen time. In performance it is the practice of altering the relationship between written note-values and making the pulse flexible by accelerating and slowing down the tempo. The fact that there are more types of rubato creates an enormous potential for different performances as long as the musical logic is respected.
Rubato is a challenging work full of artistic tension. There is a solo-like introduction. Four saxophone soloists have to try to ensure that one saxophone comes into being with one opinion as to the chosen tempo rubato.
After the introduction the flugelhorn initially plays the main theme which continually transforms during the piece. Different soloists take over from the flugelhorn which results in a majestic repetition of the original theme.
Recording: (live) by Fanfare “Brass-aux-Saxes” Westerlo (B) – conducted by Jan van Hove.
Was composed in 2010 and is a large-scale work which recalls memorable moments. This work can be used in concerts as well as in memorial services.
Two complementary themes alternate in various ways and co-operate, in a sort of cortège, working towards a grandiose climax, after which the piece ends in silence. A beautiful composition, masterfully orchestrated.
Recording: by Musique Militaire Grand-Ducale, Luxembourg (L) – conducted by Captain Jean-Marie Thoss.