La Bohème – Giacomo Puccini

La Bohème – Giacomo Puccini

‘La Bohème’ is perhaps Puccini`s most nearly perfect opera. It has long been one of the world’s most beloved musical works – an instantly enchanting blend of charm, warmth, gaiety, and pathos, brought to vibrant live by Puccini`s sparkling, lighthearted score. 

In this arrangement I did use the orchestral material from the opera to make a large Symphonic Suite for Concert Band.

Recording: (live) by Orchestra a fiati Alpe Adria XIII (IT) – conducted by Josè Rafael Pascual Vilaplana 

Publisher: → Baton Music

Capriccio Espagnol – N. Rimsky-Korsakov

Capriccio Espagnol – N. Rimsky-Korsakov

Capriccio Espagnol, Op. 34, is the common Western title for an orchestral work based on Spanish folk melodies and written by Nikolai Rimsky-Korsakov in 1887.

Rimsky-Korsakov originally intended to write the work for a solo violin with orchestra, but later decided that a purely orchestral work would do better justice to the lively melodies. 

This transcription respects the original tone-colour of the piece.

Recording: (live) by Unión Musical de Valladares (E) – conducted by Juan Lois Diéguez. 

(The violin solo is an interpretative addition of these performers.) 

Publisher: → Baton Music

Ballet Suite No. 1 – Dmitri Shostakovich

Ballet Suite No. 1 – Dmitri Shostakovich

Most of the music which Shostakovich used for his Ballet Suites was composed for the silent films in the early 1930ies or was re-used from early opera’s and ballets. This is a very fine transcription of the Ballet Suite nr.1 which contains six movements:  

  1. Lyric Waltz
  2. Dance
  3. Romance
  4. Polka
  5. Waltz-Joke
  6. Galop

Recording: by Symphonic Wind Orchestra O&U, Beek en Donk (NL) – conducted by Jos van de Braak. 

Full Recording: CD ➞ “Dance and Theatre Music”

Publisher: → Baton Music

Alles Vergängliche – Gustav Mahler

Alles Vergängliche – Gustav Mahler

This work is the final chorus from Gustav Mahler’s 8th symphony. This monumental work for choir, soloists and orchestra is, partly due to its huge scale, a real “tour de force” for conductor and orchestra.  

In this arrangement the choir is replaced by instruments without detracting from the character and style of the original.

Recording: (live) by Koninklijk Bevers Harmonie Orkest, Beveren-Leie (B) – conducted by Bert Decavel.

Publisher: → Bronsheim Music